Monday, February 29, 2016

The 88th ceremony of “Oscar” ended almost universal appreciation – Russian Newspaper

88th ceremony of “Oscar” was dramatic and over, in my opinion, almost universal satisfaction.

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without this” almost “, of course, does not happen . From it and begin. Sorry, not awarded our Constantine bronze with his cosmic animations – but his opponents hard to judge in absentia. It is a pity that from the very beginning was doomed to lose the excellent work of Brian Cranston in the biopic “Trumbo” – it literally swept nationwide thirst finally fix long-standing injustice to Leonardo DiCaprio. At least it is strange that in the category “Best Visual Effects” is very modest in this regard Fiction “Ex Machina” won over the visual feast of “Star Wars,” “Martian”, “Mad Max” and it is a quality-bear of “Survivor.”

The second row uncut “Oscar” Alejandro González Iñárritu seems to bust me – but it’s subjective. Finally, surprised that good, smart and smooth, but quite banal execution supporting actor Alicia Vikander in “Girl from Denmark” rated higher than explosive, almost theatrical ekstsentriada Jennifer Jason Leigh in “the hateful eight”.

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The rest – all either great, or at least acceptable. “Mad Max: Fury Road” won almost all, relatively speaking, the technical categories – audio, wigs and make-up image and sound editing, costumes and design, being the leader in the number of awards evening. We were pleased with the victory of Mark Raylensa in supporting roles in the film “Spy Bridge” – thus indirectly marked itself the work of Steven Spielberg, clearly disadvantaged categories. You can enjoy the great success of 26-year-old Brie Larson, accepting his first “Oscar” for klaustrofobskuyu drama “Room”. On the merits appreciated the creativity classic film music by Ennio Morricone – 87-year-old maestro is still in great shape.

In the category “Best Foreign Language Film” expectedly defeated Hungarian Laszlo Nemes with the film “Son of Saul” – absolutely innovative in conception and execution. His originality and the author’s courage in the fact that it goes far beyond the tragic Holocaust, his emotional result of much broader: “subjective camera” expresses not only the look of the hero, but it is the actual state of human raschelovechennom in the world. And fear, experienced by us in the cinema, is not equal in strength. “The son of Saul,” undoubtedly the principal success and debutant Laszlo Nemes and only Hungarian film

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To the jubilation of fans finally he took his “Oscar” Leonardo DiCaprio. For an artist of this caliber in the role of “Survivor”, in my opinion, simply too narrow and requires not so much acting as physical endurance. And, of course, it is unfair that it is formally recognized as the best in all its truly brilliant work. But really how it happened, it happened – all the same because the majority of the audience is clear that Leonardo is today one of the best actors of world cinema. We assume that it is – and for the “Titanic”, where he did not even make the nomination, and “The Wolf of Wall Street”, and even in many roles, for some reason not awarded the attention of “Oscar”

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it is highly reasonable that the best film of the year is not recognized as full of special effects blockbuster, and “normal cinema”, where you need not to gasp and think – drama-investigation “spotlight” by Thomas McCarthy. The film honestly and in detail reproduce a real case of the journalistic investigation of crimes in the Boston church community – an act of extraordinary courage of colleagues in their struggle for the rule of law. And in this sense the award “Oscar” is not only a film, but also to pick it up-to-date theme script – more than logical

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The ceremony took place in a moment of incandescent scandal, when some black filmmakers said on racial discrimination in the film industry and the Film Academy. Host of the evening black Chris Rock was in a difficult position: it called for a boycott the ceremony and in fact it frustrate; this he did not dare, but several times completely rewrote his opening speech, and nearly all of its role turned into a sharp improvisations on racial equality theme.

Carefully monitor the proportions and the administration of the “Oscar”, and staging sometimes resembles the Soviet posters about friendship between peoples: one white participant necessarily balanced by its black counterpart. One can only admire the speed with which prepared witty humor and parody sketches on the explosive topic, artistry all the action and the apparent desire of its members to all in this great cinematic family ended peacefully, justly and well.

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